“Little by little, I structured the landscape in an increasingly geometric way until I stripped my works of all contact with physical visual reality, seeking to find new modes of relationships in the domain of colors, textures and forms.”
From his first abstract approaches in the late forties, de la Vega He begins a rigorous process of self-taught experimentation influenced by his architectural studies.
This search leads him to structure the plan by logical lines and chromatic debris that characterize the Geometry period of the Works by Jorge de la Vega, exploring the pure relationships between shapes and textures before turning fully towards the informalist break and the New Figuration.
