“It wasn’t exactly me who introduced human figures into my painting; I think they used me to invent themselves; it wasn’t an involuntary imposition but a natural encounter, and now I couldn’t do without them without feeling my expressive will curtailed.”
From 1961 onwards, alongside Ernesto Deira, Rómulo Macció and Luis Felipe Noé, from La Vega It revolutionizes the international art scene, marking a foundational milestone in the history of contemporary art.
His compositions break with the traditional framework through the use of distorted three-dimensional frames, broken planes, and an expressive freedom that characterizes his work. New Figuration period of the Works by Jorge de la Vega, transforming this movement into one of the most influential aesthetic shifts of the sixties.
